Happy Halloween/Splendid Samhain everybody!
here is th capital it's been trousering down with rain today, with the CBD's north-south streets like Featherston and Taranaki producing the dreaded spring and autumnal 'wind tunnels', ergo... sideways rain by the skip load. Not great for running off to work in, or waiting for a bus home, but not too shabby for dissuading those pesky Trick or Treaters!
Anyway, in honour of Featherston Street and Halloween, here's a nifty, shifty combination of the two. Pleasant dreams, Mr Meromo!
And, with October drawing to a close, that also wraps up Doodle a Day; a pleasure and a challenge, but something of a relief now it's over. Thanks to everyone who's followed, chanced upon this thread (you know who you are and I know what you were drawn to!) and especially those who've commented on and off to blog - I might yet revisit this in time, though probably not this year!
Thursday, October 31, 2013
Wednesday, October 30, 2013
Doodle a Day: 30/10/2013
Second to last Doodle for this month, and while I'm also two days shy of the Day of the Dead, here's my little candy skull character and his seedy leedle friend:
Libido and Mortido were my first proper cartoon characters, and found their way into two or three issues of Dunedin comic zine Treacle, as well as (via reprints) a Wellington zine nearly ten years later. The characters, if you could call them that, were pretty much one-liners: Libido the helpless and hopelessly deluded priapic would-be Lothario, and his buddy, death-obsessed risk taker Mortido. neither could resist their respective temptations, although in the limited run of stories I steered well clear of giving ether guys what they wanted - Libido especially. What can I say? I was a squeamish cartoonist.
Mortido was my favourite, and was (and clearly still is) the easiest to draw. His design had actually sprung from an earlier idea of 'Dead'-themed single panel cartoons ('Dead Tired', 'Dead Heat' etc.) Libido, on the other hand, resisted any sort of consistent drawing throughout his life - to this day, in fact. Usually the inspiration for his weirdly exaggerated proportions was a cortical homunculus. Those things creep me out, and so it should be no surprise that Libido I generally find a chore to draw.
I haven't drawn these guys in maybe fifteen years! I should plant a tree or something.
Libido and Mortido were my first proper cartoon characters, and found their way into two or three issues of Dunedin comic zine Treacle, as well as (via reprints) a Wellington zine nearly ten years later. The characters, if you could call them that, were pretty much one-liners: Libido the helpless and hopelessly deluded priapic would-be Lothario, and his buddy, death-obsessed risk taker Mortido. neither could resist their respective temptations, although in the limited run of stories I steered well clear of giving ether guys what they wanted - Libido especially. What can I say? I was a squeamish cartoonist.
Mortido was my favourite, and was (and clearly still is) the easiest to draw. His design had actually sprung from an earlier idea of 'Dead'-themed single panel cartoons ('Dead Tired', 'Dead Heat' etc.) Libido, on the other hand, resisted any sort of consistent drawing throughout his life - to this day, in fact. Usually the inspiration for his weirdly exaggerated proportions was a cortical homunculus. Those things creep me out, and so it should be no surprise that Libido I generally find a chore to draw.
I haven't drawn these guys in maybe fifteen years! I should plant a tree or something.
Tuesday, October 29, 2013
Doodle a Day: 29/10/2013
A late post tonight as I just went and saw Gravity. Wheee! What a movie! Anyway...
Halloween is almost upon us, so time for some spookier doodles. So far I've done the ghost of a werewolf, and then more recently a werewolf... so just to shake things up, here's a ghost!
A Japanese ghost, according to my dream of 24/9/2010 after which I woke and scrawled: "Along a winding coastal road in a late 70s car (a Charger?) Young woman's head and shoulders emerge from out of the road ahead. I have to be careful as, if she emerges fully and has no form below the ribs and waist [stop sniggering back there - Ed] she is a ghost." Despite that, apparently it was okay, she wasn't a ghost, but my memory doesn't record whether I stopped the car or just kept on driving!
The image in my head is as you see it above, so don't get any ideas about the nature of my dreams, okay? In fact, my little dream diary records no fewer than three Japanese folklore-themed nocturnal flights, including the above (which, according to Wikipedia might be called a teke teke or something), a dream about a creature with a dish-like head full of water called in my dream a 'Golle' (although in Japanese folklore it might properly be called a kappa), and finally the most cryptic of them: ""19/9/2010: I'm writing on creatures of Japanese folklore and find reference to a [fit?] I don't know the name of. Nearby creatures help out with cards and suffixes/tables for the purpose."
Clearly, I was going through 'A Phase'. Thanks for not asking what it all meant!
Halloween is almost upon us, so time for some spookier doodles. So far I've done the ghost of a werewolf, and then more recently a werewolf... so just to shake things up, here's a ghost!
A Japanese ghost, according to my dream of 24/9/2010 after which I woke and scrawled: "Along a winding coastal road in a late 70s car (a Charger?) Young woman's head and shoulders emerge from out of the road ahead. I have to be careful as, if she emerges fully and has no form below the ribs and waist [stop sniggering back there - Ed] she is a ghost." Despite that, apparently it was okay, she wasn't a ghost, but my memory doesn't record whether I stopped the car or just kept on driving!
The image in my head is as you see it above, so don't get any ideas about the nature of my dreams, okay? In fact, my little dream diary records no fewer than three Japanese folklore-themed nocturnal flights, including the above (which, according to Wikipedia might be called a teke teke or something), a dream about a creature with a dish-like head full of water called in my dream a 'Golle' (although in Japanese folklore it might properly be called a kappa), and finally the most cryptic of them: ""19/9/2010: I'm writing on creatures of Japanese folklore and find reference to a [fit?] I don't know the name of. Nearby creatures help out with cards and suffixes/tables for the purpose."
Clearly, I was going through 'A Phase'. Thanks for not asking what it all meant!
Monday, October 28, 2013
Doodle a Day: 28/10/2013
Today I broke a rule of Doodle a Day - but it was a late rule. I re-drew the same subject when an earlier attempt- well, earlier attempts, had failed. Lou Reed did not resemble Brad Garrett nor Paul Holmes, so I had to do the late, great grump some honour...
Lou Reed was for a long time in my youth an old man, when he was really only the age of my Dad. I knew of him and The Velvet Underground in my teens, but I was a little stunned to realise that he made the album that really introduced me to his solo work - New York, when he was only two or three years older than I am now. And these days, 71 is old, but not OLD. To some people, he's probably still the young man of the Velvets, the glammed up street punk from Transformer at least.
But I digress. New York was one of the soundtracks to my first year of university, and in following years I'd learn a few VU songs through fellow bands (one of our contemporary groups, My Deviant Daughter, did a running and not-entirely faithful cover of Sister Ray) and shared music collections - White Light/White Heat, Heroin, Venus In Furs... lots of stuff novel, ground-breaking, or just fun (I'm Sticking With You, naturally.) And what I heard of Songs for Drella, I liked.
I don't own any Lou Reed past the Trainspotting soundtrack. I think I might try to rectify that really soon. When Jet Jr wanted to hear some David Bowie from You Tube today, I suggested we listened to something 'David' had made with his friends 'Mick' and 'Lou' instead; and so we listened to the singles from Transformer, which is where I might as well begin.
A pen sketch of Lou Reed wasn't of course what I'd planned for today, so today's idea will probably be posted tomorrow.
Lou Reed was for a long time in my youth an old man, when he was really only the age of my Dad. I knew of him and The Velvet Underground in my teens, but I was a little stunned to realise that he made the album that really introduced me to his solo work - New York, when he was only two or three years older than I am now. And these days, 71 is old, but not OLD. To some people, he's probably still the young man of the Velvets, the glammed up street punk from Transformer at least.
But I digress. New York was one of the soundtracks to my first year of university, and in following years I'd learn a few VU songs through fellow bands (one of our contemporary groups, My Deviant Daughter, did a running and not-entirely faithful cover of Sister Ray) and shared music collections - White Light/White Heat, Heroin, Venus In Furs... lots of stuff novel, ground-breaking, or just fun (I'm Sticking With You, naturally.) And what I heard of Songs for Drella, I liked.
I don't own any Lou Reed past the Trainspotting soundtrack. I think I might try to rectify that really soon. When Jet Jr wanted to hear some David Bowie from You Tube today, I suggested we listened to something 'David' had made with his friends 'Mick' and 'Lou' instead; and so we listened to the singles from Transformer, which is where I might as well begin.
A pen sketch of Lou Reed wasn't of course what I'd planned for today, so today's idea will probably be posted tomorrow.
Sunday, October 27, 2013
Doodle a Day: 27/10/2013
For the second time this month I find myself drawing a werewolf! Odd.
Anyway - a worked-up pencil study for a picture of said beastie surprising a warrior wumman PC (Player Character), based on an old D&D game of distant memory.
Anyway - a worked-up pencil study for a picture of said beastie surprising a warrior wumman PC (Player Character), based on an old D&D game of distant memory.
Saturday, October 26, 2013
Friday, October 25, 2013
Doodle a Day: 25/10/2013
This doodle is really not my best work...
..but Jet Junior is.
Jet Jr turned five years old today, finishing kindergarten and starting school - a new era, and a new adventure for a young man who's already had quite a life to date. Five years ago he wasn't supposed to be in the outside world for another twelve weeks, and since then he's been the most important thing in my life, next to his mum. It's a cliche, but parenthood changed me in my outlook, my work ethic, and my place in the world; it's truly been one of the most humbling, awe-inspiring, heart-breaking, life-affirming and terrifying experiences I've ever been through, and I never want it to end.
Happy birthday, young Simian. May you find as many pleasures in life as you did doing this four years ago:
..but Jet Junior is.
Jet Jr turned five years old today, finishing kindergarten and starting school - a new era, and a new adventure for a young man who's already had quite a life to date. Five years ago he wasn't supposed to be in the outside world for another twelve weeks, and since then he's been the most important thing in my life, next to his mum. It's a cliche, but parenthood changed me in my outlook, my work ethic, and my place in the world; it's truly been one of the most humbling, awe-inspiring, heart-breaking, life-affirming and terrifying experiences I've ever been through, and I never want it to end.
Happy birthday, young Simian. May you find as many pleasures in life as you did doing this four years ago:
Thursday, October 24, 2013
Doodle a Day: 24/10/2013
Another quick one, today. This is a straightforward pen piece worked from an earlier pencil sketch. How early? Well, I first drew it in 2005, and found it today in a notebook.
This is a view out of a hospital room window, looking out onto the roof of what was the Middle School in Oamaru, a school which my Mum attended as a girl, but which was for many years of my life employed variously as a band hall, clubrooms and costume wardrobe space, before finally being restored and re-purposed as part of the new Oamaru Hospital. I drew it while visiting that Labour Weekend, sitting idly at a bedside, because my mind was wandering but I didn't want to be anywhere else, especially. I remember at the time feeling a little guilty that I'd taken my attention away from the person sleeping in that room, but at the same time I knew I wanted something to look back at and remind me of that time in times to come; so here it is.
This is a view out of a hospital room window, looking out onto the roof of what was the Middle School in Oamaru, a school which my Mum attended as a girl, but which was for many years of my life employed variously as a band hall, clubrooms and costume wardrobe space, before finally being restored and re-purposed as part of the new Oamaru Hospital. I drew it while visiting that Labour Weekend, sitting idly at a bedside, because my mind was wandering but I didn't want to be anywhere else, especially. I remember at the time feeling a little guilty that I'd taken my attention away from the person sleeping in that room, but at the same time I knew I wanted something to look back at and remind me of that time in times to come; so here it is.
Wednesday, October 23, 2013
Doodle a day: 23/10/2013
Hello, and welcome back to Doodle a Day - the home stretch!
Today's doodle is a reaction to all the line art I've been doing recently. I feel like I've been shirking my responsibilities a little by under-drawing (or under-filling) my work; however, with a busy work and home life at present, I haven't really got time for big, detailed pieces, so today's contribution isn't too far a stretch, and it's monochrome again - but for good reason this time.
Cydonia was a comic strip I created back in the mid-Nineties for a small and plucky local Doctor Who fanzine called Telos. Taking its cue from Alan Barnes and Adrian Salmon's Cybermen one-page series in Doctor Who Magazine around the same time, Cydonia started out as a potted history of Doctor Who's resident Martians, the Ice Warriors. Within a couple of years Telos folded, and after a few more years I felt strongly enough to resurrect Cydonia and finish it, this time in another zine, and Telos' virtual successor, Reverse the Polarity!, which survives to this day as NZ's last remaining (semi) regular Who zine. In RTP! the strip was rebooted and ran for four years - easily the longest sole illustration project I've undertaken, and in that time the story evolved into something of a elegy, with a little more depth and character than the original strip had contained. I'm still rather proud of it, though I must resist the temptation to revisit it again!
The above illustration, then, is an idea of a 'cover' for an imaginary compilation of the strip, incorporating an Ice Warrior, 'clamps' aloft (a familiar pose to anyone who's seen their eponymous debut story), main character Haaga, and the skull of a Locust, the series' creepy prehistoric bogeymen, inspired by the alien Martians of Quatermass and the Pit. The 'C' formed from the clamp is my nod to Salmon's contemporary cover for the charity zine Cosmic Relief!
Today's doodle is a reaction to all the line art I've been doing recently. I feel like I've been shirking my responsibilities a little by under-drawing (or under-filling) my work; however, with a busy work and home life at present, I haven't really got time for big, detailed pieces, so today's contribution isn't too far a stretch, and it's monochrome again - but for good reason this time.
Cydonia was a comic strip I created back in the mid-Nineties for a small and plucky local Doctor Who fanzine called Telos. Taking its cue from Alan Barnes and Adrian Salmon's Cybermen one-page series in Doctor Who Magazine around the same time, Cydonia started out as a potted history of Doctor Who's resident Martians, the Ice Warriors. Within a couple of years Telos folded, and after a few more years I felt strongly enough to resurrect Cydonia and finish it, this time in another zine, and Telos' virtual successor, Reverse the Polarity!, which survives to this day as NZ's last remaining (semi) regular Who zine. In RTP! the strip was rebooted and ran for four years - easily the longest sole illustration project I've undertaken, and in that time the story evolved into something of a elegy, with a little more depth and character than the original strip had contained. I'm still rather proud of it, though I must resist the temptation to revisit it again!
The above illustration, then, is an idea of a 'cover' for an imaginary compilation of the strip, incorporating an Ice Warrior, 'clamps' aloft (a familiar pose to anyone who's seen their eponymous debut story), main character Haaga, and the skull of a Locust, the series' creepy prehistoric bogeymen, inspired by the alien Martians of Quatermass and the Pit. The 'C' formed from the clamp is my nod to Salmon's contemporary cover for the charity zine Cosmic Relief!
Tuesday, October 22, 2013
Doodle a Day: 22/10/2013
Hello, and welcome to another fifteen-minute job. Today it's another cartoon because I am tired and have guests. Normal, loose and scrawly service will resume shortly.
In the mean-time, presenting: Pescarosa, Last King of Atlantis!
In the mean-time, presenting: Pescarosa, Last King of Atlantis!
Monday, October 21, 2013
Doodle a Day: 21/10/2013
Time for another doodle! Today's attempt was another swing and a miss, so here's attempt two and a different topic:
It's another robot from my Wild West series - a barkeep!
(Edited to add: Colour version has now been restored! Issue was: I'd saved it as CMYK rather than RGB - rookie mistake!)
It's another robot from my Wild West series - a barkeep!
(Edited to add: Colour version has now been restored! Issue was: I'd saved it as CMYK rather than RGB - rookie mistake!)
Sunday, October 20, 2013
Doodle a Day: 20/10/2013
Today's fifteen-minute wonder sort of fell apart in the delivery; so time for a hasty replacement:
Here's Jean Saturn, Angel of the Southern Cross and the first woman astronaut of the New Zealand Space Programme.
Here's Jean Saturn, Angel of the Southern Cross and the first woman astronaut of the New Zealand Space Programme.
Saturday, October 19, 2013
Doodle a Day: 19/10/2013
Another quick biro doodle. If I'm honest, this took a little more than fifteen minutes, but really not much more in the biro stakes at least.
In this day and age with Doctor Who still enjoying large audiences, even (ironically) in the US, it's become quite fashionable to diss the 'failure' that was a long-shot 'back door pilot' of the 1996 Paul McGann TV Movie. You can read more about the effect and influence of the realised TV Movie on Zeus Blog, but how to explain the image above? Well, it's another idea for what might have been seen in a TV series had early plans for a US-led Who come to fruition in the early Nineties. The 'Cybs', cyborg scavenging space pirates, are often blighted with the scorn of Who fans who see them as a poor and unimaginative Cyberman pastiche. I think that's unfair, and even in the brief sketches and descriptions that can be gleaned from this abortive series bible, you can see that creator John Leekley was attempting something different - a fusion of mad Max/Road Warrior post-bomb savagery with elements of cyberpunk and space opera. Unlike the Cybermen of the Seventies and Eighties the Cybs have names, entertain themselves with belly dancers, and exist to plunder - a far cry from Who's emotionally-removed anonymous drones,whose schtick in the early Nineties was itself being seriously plundered by Star Trek's Borg Collective. Had we seen the Cybs appear on the small or big screen, I think they'd have fared better than popular belief might have it, and maybe it's only the fact that their story ideas in the 'bible' are adaptations of classic Who's Cyberman stories that really offers comparison. They could have been hokey, cheesy even - but they could have also been scary and a lot of fun.
My biro went a little bit fluid here, and perhaps I shouldn't have erased the original pencil, because what appeared on the page before that looked like something resembling the work of fantasy artist John Blanche. Ah well.
In this day and age with Doctor Who still enjoying large audiences, even (ironically) in the US, it's become quite fashionable to diss the 'failure' that was a long-shot 'back door pilot' of the 1996 Paul McGann TV Movie. You can read more about the effect and influence of the realised TV Movie on Zeus Blog, but how to explain the image above? Well, it's another idea for what might have been seen in a TV series had early plans for a US-led Who come to fruition in the early Nineties. The 'Cybs', cyborg scavenging space pirates, are often blighted with the scorn of Who fans who see them as a poor and unimaginative Cyberman pastiche. I think that's unfair, and even in the brief sketches and descriptions that can be gleaned from this abortive series bible, you can see that creator John Leekley was attempting something different - a fusion of mad Max/Road Warrior post-bomb savagery with elements of cyberpunk and space opera. Unlike the Cybermen of the Seventies and Eighties the Cybs have names, entertain themselves with belly dancers, and exist to plunder - a far cry from Who's emotionally-removed anonymous drones,whose schtick in the early Nineties was itself being seriously plundered by Star Trek's Borg Collective. Had we seen the Cybs appear on the small or big screen, I think they'd have fared better than popular belief might have it, and maybe it's only the fact that their story ideas in the 'bible' are adaptations of classic Who's Cyberman stories that really offers comparison. They could have been hokey, cheesy even - but they could have also been scary and a lot of fun.
My biro went a little bit fluid here, and perhaps I shouldn't have erased the original pencil, because what appeared on the page before that looked like something resembling the work of fantasy artist John Blanche. Ah well.
Friday, October 18, 2013
Doodle a Day: 18/10/2013
And this, readers, is why I didn't fully shut the gate at 11pm during a blustery full moon last night:
I actually adore wetas. They're spindly, clumsy and prehistoric looking, but in some species, like the Wellington tree weta above, there's a robustness that does make them look like something you wouldn't want to mess with. Like a tiger they have stripes, but they're really quite docile, and I'd say more than a few local beauties have fallen prey to the odd domestic cat or even those urban eco-terrorists, the hedgehog. I'm certainly not scared of them, but was keen enough to give this girl the space she needed - I've been nipped before by accident when one fell out of the roller door as I was opening the garage one morning (it fell down the back of my shirt, so I can't blame it), and those nippers are the real deal; used for fighting when they're not slicing into tree bark they're probably responsible for the odd dismembered weta leg I've found at the top of our (hedgehog-proof) steps.
I actually adore wetas. They're spindly, clumsy and prehistoric looking, but in some species, like the Wellington tree weta above, there's a robustness that does make them look like something you wouldn't want to mess with. Like a tiger they have stripes, but they're really quite docile, and I'd say more than a few local beauties have fallen prey to the odd domestic cat or even those urban eco-terrorists, the hedgehog. I'm certainly not scared of them, but was keen enough to give this girl the space she needed - I've been nipped before by accident when one fell out of the roller door as I was opening the garage one morning (it fell down the back of my shirt, so I can't blame it), and those nippers are the real deal; used for fighting when they're not slicing into tree bark they're probably responsible for the odd dismembered weta leg I've found at the top of our (hedgehog-proof) steps.
Thursday, October 17, 2013
Doodle a Day: 17/10/2013
Wow. Ten minutes to draw, ninety minutes to do a cursory block fill on Photoshop. I am so tired...
A Brit-Cit Judge, today. Based mostly on the original design by Brendan McCarthy for the Judge Dredd story 'Atlantis', and I really think it's McCarthy's looser design aesthetic that saves the uniform. To me, McCarthy is a second-generation heir to Mike McMahon in his subtle but iconic reinvention of the Judge costume. There's something endearing about the taller busby-like helmet, the grim lion face and the colour play (later versions of the judges from future Great Britain have them in a colour scheme closer to the green, yellow and black of Mega City One. Boo) that McCarthy brings in, that just doesn't carry through to later versions by other artists. Of course for this to be a true McCarthy rip-off there should be a quirky (and still unexplained) star on Judge Lord's chin. Just because, it seems. But ehh, nah. Plus, by going for a poster art, thick edge style here I can fudge it and claim I'm also referencing the work of Jack Kirby devotee Shaky Kane. Yes, that's it, I'm referencing Shaky Kane. And now I'm off to bed.
Wednesday, October 16, 2013
Doodle a Day: 16/10/2013
Another quick biro job: the 'Hammerheads', weird, lrgely mute primitive creatures of wood and bone who rose out of the Everglades to destroy the world of men, or something.
I was sixteen or seventeen when I created these guys, putting them in a comic strip that lasted all of one A3 page before I lost the thread of where I was going - presumably something great;y inspired by Pat Mills and Kevin O'Neil's Nemesis the Warlock, I'd say.
I was sixteen or seventeen when I created these guys, putting them in a comic strip that lasted all of one A3 page before I lost the thread of where I was going - presumably something great;y inspired by Pat Mills and Kevin O'Neil's Nemesis the Warlock, I'd say.
Tuesday, October 15, 2013
Monday, October 14, 2013
Doodle a Day: 14/10/2013
Another downtown Wellington building today; the Harcourts Building.
This has been a highly contentious structure, and the July quake and a recent Environment Court ruling on its owner's intention to demolish its well-under-code structure means the controversy won't go away. Given the astronomically high cost of strengthening it, its owner (having paid hundreds of thousands in legal fees fighting his case already) has all but walked away from it, saying he'll leave it to nature to demolish the structure through neglect. On a day like today with gale force winds in the Capital and grey, wet weather making the building facade look even grimier and unkempt, his vision of a grand old dame of the Golden Mile falling to rack and ruin seems to be happening already.
So this is my doodle of the day; a modest building in Chicago Gothic style slowly bringing some of the wilderness back into an urban space. I won't over-romanticise it - it's a terrible situation which could (god forbid) one day kill somebody. let's hope it never comes to that.
This has been a highly contentious structure, and the July quake and a recent Environment Court ruling on its owner's intention to demolish its well-under-code structure means the controversy won't go away. Given the astronomically high cost of strengthening it, its owner (having paid hundreds of thousands in legal fees fighting his case already) has all but walked away from it, saying he'll leave it to nature to demolish the structure through neglect. On a day like today with gale force winds in the Capital and grey, wet weather making the building facade look even grimier and unkempt, his vision of a grand old dame of the Golden Mile falling to rack and ruin seems to be happening already.
So this is my doodle of the day; a modest building in Chicago Gothic style slowly bringing some of the wilderness back into an urban space. I won't over-romanticise it - it's a terrible situation which could (god forbid) one day kill somebody. let's hope it never comes to that.
Sunday, October 13, 2013
Doodle a Day: 13/10/2013
Hello. I dedicate this hastily-scratched piece to the much neater and deservedly more professional Jeff Dee (on whom I will blog shortly). It is titled: The Pilgrims Encounter the Last Wild Turducken.
Sorry for the scratchiness; I think I killed a Uniball doing it.
Sorry for the scratchiness; I think I killed a Uniball doing it.
Saturday, October 12, 2013
Doodle a Day: 12/10/2013
Edited to add: By sheer coincidence, Russell Brown has recorded his memories of the Queen Street Riots over on Audioculture. Check this definitive record - and some disturbing 80s fashion, out!]
This is going to take some explaining, so bear with me.
Twenty nine years ago I had a legendary weekend. I remember it that way because in the main, it was twenty-nine years ago and time has been kind to my memories. I was fourteen, the first exams of my high school life were over, and my friends and I had ditched our uniforms to go camping. Being all still scouts then, for the most part the camp was the small matter of polishing off some requirements for our Duke of Edinburgh Awards by enduring twenty-four hours of dry rations and going on a very long walk. We saw there was nothing in the handbook that said we had to do any of it remotely, let alone in a tent, so off to the local Department of Forestries campsite we were driven, with Tony’s parents’ caravan on the tow bar. Left to our own devices for two days and two nights, we were determined to have a good time, free of the shackles of school and family. We couldn’t drink, and only a couple of us smoked, but at fourteen there are plenty of other diversions you can occupy yourself with unaided by chemicals: you can listen to loud obnoxious heavy metal music, fight, ogle the Girl Guides also camping nearby and show off in front of them. Reader, we did all four, and hold me back, but they were worth the flat batteries, the bruises and occasional tears, and the dark looks we got from Stanley, father to a certain young thing we each attempted to chat up by the river. Stanley needn't have feared for the safety of his daughter's virtue, really, although I can't say I blamed him when it looked like he was going to chase us back to our pop-up Crusader with murderous intent. In all we did the stupid things four adolescent boys deprived of real food and cramped in a small family-sized caravan in the rain might do. When left without a working fridge our jelly never set, and we ate it anyway. Rock and/or roll!
Not that it was Youth In Revolt that weekend; certainly not at the Herbert State Forest campsite. However, up at the other end of the country another story was unfolding, Friday night being the 7th of December 1984, which saw Auckland's Queen Street come riotously alive after crowd control at a free open air concert went oh-so wrong. Time having now passed considerably, the whole event is but a small footnote in the history of New Zealand music. But at the time, listening to the incredible news on our ghetto blaster radio, it seemed for a short while that the future was there for anyone young and hungry enough to seize.
The soundtrack to that weekend is in my mind a mix of the hits of the day ('Purple Rain', The Cars' 'Drive', 'Wild Boys', Scandal's 'Warrior') and the track-listing to Jeff's brother's Heavy Metal compilation Head Banga, a blistering run-through of fantastic hard rock anthems, from Deep Purple's 'Black Night', through Iron Maiden's 'Run to the Hills', Billy Squier's 'The Stroke', Tygers of Pan Tang's cover of 'Love Potion No. 9' and 'Rock and Roll Outlaw' by Rose Tattoo. Anyway, that album is lost to the ages now, and if I ever remember all of those songs I'm going to burn my own version of it, Readers, and this picture is what I'll use for the cover.
This is going to take some explaining, so bear with me.
Twenty nine years ago I had a legendary weekend. I remember it that way because in the main, it was twenty-nine years ago and time has been kind to my memories. I was fourteen, the first exams of my high school life were over, and my friends and I had ditched our uniforms to go camping. Being all still scouts then, for the most part the camp was the small matter of polishing off some requirements for our Duke of Edinburgh Awards by enduring twenty-four hours of dry rations and going on a very long walk. We saw there was nothing in the handbook that said we had to do any of it remotely, let alone in a tent, so off to the local Department of Forestries campsite we were driven, with Tony’s parents’ caravan on the tow bar. Left to our own devices for two days and two nights, we were determined to have a good time, free of the shackles of school and family. We couldn’t drink, and only a couple of us smoked, but at fourteen there are plenty of other diversions you can occupy yourself with unaided by chemicals: you can listen to loud obnoxious heavy metal music, fight, ogle the Girl Guides also camping nearby and show off in front of them. Reader, we did all four, and hold me back, but they were worth the flat batteries, the bruises and occasional tears, and the dark looks we got from Stanley, father to a certain young thing we each attempted to chat up by the river. Stanley needn't have feared for the safety of his daughter's virtue, really, although I can't say I blamed him when it looked like he was going to chase us back to our pop-up Crusader with murderous intent. In all we did the stupid things four adolescent boys deprived of real food and cramped in a small family-sized caravan in the rain might do. When left without a working fridge our jelly never set, and we ate it anyway. Rock and/or roll!
Not that it was Youth In Revolt that weekend; certainly not at the Herbert State Forest campsite. However, up at the other end of the country another story was unfolding, Friday night being the 7th of December 1984, which saw Auckland's Queen Street come riotously alive after crowd control at a free open air concert went oh-so wrong. Time having now passed considerably, the whole event is but a small footnote in the history of New Zealand music. But at the time, listening to the incredible news on our ghetto blaster radio, it seemed for a short while that the future was there for anyone young and hungry enough to seize.
The soundtrack to that weekend is in my mind a mix of the hits of the day ('Purple Rain', The Cars' 'Drive', 'Wild Boys', Scandal's 'Warrior') and the track-listing to Jeff's brother's Heavy Metal compilation Head Banga, a blistering run-through of fantastic hard rock anthems, from Deep Purple's 'Black Night', through Iron Maiden's 'Run to the Hills', Billy Squier's 'The Stroke', Tygers of Pan Tang's cover of 'Love Potion No. 9' and 'Rock and Roll Outlaw' by Rose Tattoo. Anyway, that album is lost to the ages now, and if I ever remember all of those songs I'm going to burn my own version of it, Readers, and this picture is what I'll use for the cover.
Friday, October 11, 2013
Doodle a Day: 11/10/2013
Today's doodle is a picture over thirty years in the making: my childhood creation, the not-at-all-derivative Katipo-Man, and his mysterious nemesis, Mantis-Man.
Obviously the costumes have been modernised, but the designs are pretty much the same. I really must blog about these guys properly some day.
Obviously the costumes have been modernised, but the designs are pretty much the same. I really must blog about these guys properly some day.
Thursday, October 10, 2013
Doodle a Day: 10/10/2013
Hello, and welcome back to Doodle a Day, where I submit a 15-minute doodle to blog-o-vision.
Today's topic, just pulled out of the air. Jamas suggested I can't draw hands, and so this one's for you, buddy:
Hmm... I wonder where I could get one?
Today's topic, just pulled out of the air. Jamas suggested I can't draw hands, and so this one's for you, buddy:
Hmm... I wonder where I could get one?
Wednesday, October 9, 2013
Doodle a Day: 9/10/2013
Another rather quick job tonight after a busy day...
This is a... 'Mandarindroid', I suppose. Specifically an android modeled after a Western (maybe Wild Western) stereotype of, well, a Mandarin gentleman. Hrm.
This is a... 'Mandarindroid', I suppose. Specifically an android modeled after a Western (maybe Wild Western) stereotype of, well, a Mandarin gentleman. Hrm.
Tuesday, October 8, 2013
Doodle a Day: 8/10/2013
Today's doodle turned out to be a bust, so as it was a Kiwiana topic (a future coat of arms for a spacefaring Aotearoa), I dug into the old Dream Diary for something similarly -themed, and came up with this:
Dated 1 October 2010, and 'found' in a Auckland law firm display case with all the descriptions above included. Seemingly they were not only buttons but also legal tender because we were truly fancy back in the day. 'Maori Showband gigs'? I dunno - presumably throwing hard cash at the acts was a big thing then, according to my subconscious. Also, the glitzy, kitschy Seventies specimen was quite rare and is now highly collectable, so look around the house and see if you have one or two still!
Dated 1 October 2010, and 'found' in a Auckland law firm display case with all the descriptions above included. Seemingly they were not only buttons but also legal tender because we were truly fancy back in the day. 'Maori Showband gigs'? I dunno - presumably throwing hard cash at the acts was a big thing then, according to my subconscious. Also, the glitzy, kitschy Seventies specimen was quite rare and is now highly collectable, so look around the house and see if you have one or two still!
Monday, October 7, 2013
Doodle a Day: 7/10/2013
Sticking with the monochrome today and what do you know? Also my time limit! Reasonably happy with this one - at least the hands are okay, though the foreshortening...
Anyway, if you're in the other hemisphere then today is still the 6th of October, Olivia 'Anderson' Thirlby's birthday. Happy birthday, Ms Thirlby!
I recently rewatched Dredd for the first time since its cinema release a fortnight ago, and I still really enjoyed it. Most of all, despite Karl Urban being absolutely the best casting in it, I really enjoyed Anderson's role as the viewpoint in the story once more. Smart, smart move, and Thirlby handles the character well. There's a trace of the future cocky self that Anderson in the strips displays in her first stories,but overall there's more of the self-doubt and emotionally-based questioning of the machine in which she's a reluctant cog that came to define her in her mid-era stories. Dredd's a linear character for the movie, really, but if a sequel never comes to pass then I'll be sorry that the working relationship it promised between Old Stony face and his rookie never gets its pay-off. In her opening scene when Anderson gets a glimpse inside Dredd's mind there's a real seed of potential there for future characterisation that I'd really like to see.
Also, it occurs to me that amid the talk I'm reading these days about Marvel vs DC/Warners movies and the lack so far of a female-led superhero movie, that it would be so cool if DNA Films and Lionsgate beat both studios to deliver a one-shot movie about a strong female 'superhero' that isn't defined by her bodyforming lycra or pneumatic chest, but by her fitting more of a Ripley mould; a postfeminist heroine just doing her job damned well, with an engaging and sympathetic humanity to boot. Hell, pit her and her psychic abilities against her oldest enemy Judge Death (save his cronies for later) and then we can have a Dredd sequel without his version of Mega City One going all jarringly Ghostbusters.
Anyway, if you're in the other hemisphere then today is still the 6th of October, Olivia 'Anderson' Thirlby's birthday. Happy birthday, Ms Thirlby!
I recently rewatched Dredd for the first time since its cinema release a fortnight ago, and I still really enjoyed it. Most of all, despite Karl Urban being absolutely the best casting in it, I really enjoyed Anderson's role as the viewpoint in the story once more. Smart, smart move, and Thirlby handles the character well. There's a trace of the future cocky self that Anderson in the strips displays in her first stories,but overall there's more of the self-doubt and emotionally-based questioning of the machine in which she's a reluctant cog that came to define her in her mid-era stories. Dredd's a linear character for the movie, really, but if a sequel never comes to pass then I'll be sorry that the working relationship it promised between Old Stony face and his rookie never gets its pay-off. In her opening scene when Anderson gets a glimpse inside Dredd's mind there's a real seed of potential there for future characterisation that I'd really like to see.
Also, it occurs to me that amid the talk I'm reading these days about Marvel vs DC/Warners movies and the lack so far of a female-led superhero movie, that it would be so cool if DNA Films and Lionsgate beat both studios to deliver a one-shot movie about a strong female 'superhero' that isn't defined by her bodyforming lycra or pneumatic chest, but by her fitting more of a Ripley mould; a postfeminist heroine just doing her job damned well, with an engaging and sympathetic humanity to boot. Hell, pit her and her psychic abilities against her oldest enemy Judge Death (save his cronies for later) and then we can have a Dredd sequel without his version of Mega City One going all jarringly Ghostbusters.
Sunday, October 6, 2013
Doodle a Day: 6/10/2013
Sticking to black and white for the moment; and a simple line drawing - part caricature, as much of my work tends towards these days...
It's Terry Thomas!
School for Scoundrels (the original, don't punish yourself) is somewhere in my top ten films. If you haven't seen it, man, I don't know what to say to you.
It's Terry Thomas!
School for Scoundrels (the original, don't punish yourself) is somewhere in my top ten films. If you haven't seen it, man, I don't know what to say to you.
Doodle a day: 5/10/2013
Thanks to Baz Luhrman and his overlong Gatsby adaptation, yesterday's post of the below image and some colouring went out the window, bt a change is as good as anything, so it's a barer, monochrome doodle this time.
And it's a doodle with people! I realised that one skulking Batman wasn't going to cut it in the variety stakes, so here's another dream-based image, of a bar being set high up in (apparently) an old workplace with fancy mod cons, trendy patrons, great skyline views and an aquarium in every window.
And it's a doodle with people! I realised that one skulking Batman wasn't going to cut it in the variety stakes, so here's another dream-based image, of a bar being set high up in (apparently) an old workplace with fancy mod cons, trendy patrons, great skyline views and an aquarium in every window.
Friday, October 4, 2013
Doodle a Day: 4/10/2013
Day Four, and I suspect I've been straying a little over the fifteen minute time allowance for my early doodling. I'll be honest, not all of my doodles arrive fully-formed; most are doodled in pencil then inked and the pencil lines erased, and that changes the picture. But I don't fix anything in Photoshop - that's definitely against the rules, and in the end Photoshop is used as I said it would be - for optimising the picture for web use, and for colouring it in if I want. But nothing complicated - frankly, complicated colouring-in is waaaay beyond my Photoshop skills!
Anyway, that said, I thought I'd try something simpler today and stick to my time limit. When an earlier idea simply didn't pan out, I decided to adopt a new rule: if an earlier idea doesn't pan out, start a BRAND NEW ONE. And here it is - based on a single word jotted in one of my doodling pads: the Ectopanzer!
I should also stress that, unlike the various buses of Wellington's CBD I have no handy tank around to draw from, so it's a tank from my imagination - don't go checking to see if it's an actual Panzer 'kay?
(Jeez, I don't think I've even drawn a tank in thirty years...)
Anyway, that said, I thought I'd try something simpler today and stick to my time limit. When an earlier idea simply didn't pan out, I decided to adopt a new rule: if an earlier idea doesn't pan out, start a BRAND NEW ONE. And here it is - based on a single word jotted in one of my doodling pads: the Ectopanzer!
I should also stress that, unlike the various buses of Wellington's CBD I have no handy tank around to draw from, so it's a tank from my imagination - don't go checking to see if it's an actual Panzer 'kay?
(Jeez, I don't think I've even drawn a tank in thirty years...)
The Local Gods
Last week The Almighty Johnsons finished, ending what has for me been one of the great, short-lived Kiwi TV series.
I
know a good number of people who didn’t watch TAJ, and even some who
wouldn’t watch it because it wasn’t “their thing”. Even I was skeptical before it aired. For some the fantasy element was a turn-off, while even among its followers it
seems the show might not have been ‘fantasy’ enough, grounded as it was by a
small country’s TV budget
and envying the FX clout the likes of bigger overseas
series like Supernatural (which is probably a close
comparison) wield. For me, however, the mix of fantasy and the series’
‘real world’ aspects was balanced perfectly; so
much so in fact that I’m bewildered that more didn’t watch it,
including friends of the Simian household. The show is about Norse gods
inhabiting the bodies of very normal, very relatable Kiwi brothers –
what’s not to understand about that?
It’s
the balance inherent in the Johnson brothers and their Asgardian alter
egos that was crucial to the critical success of TAJ. A series simply about quarreling gods on a quest I’d have no interest in (particularly on a smallish TV budget shot in West Auckland; we’ve been here before), and
similarly if I were to follow a series about brothers who rub each other
the wrong way then it would have to be pretty interesting for me to get
through episode one. TAJ did that with its
essential third ingredient; its adherence to the traits – clichéd or
not, of the Kiwi male. Taciturn, not particularly graceful or
articulate, stuck playing roles in a man's world which, in
some cases (Mike, Axl) they’re not the best at, and all
the while resisting using their questionable godly powers (with the exception of
Anders) to draw attention to themselves. Add to the mix the expected
god rivals of Loki (how fitting that an amoral trickster god should
inhabit the form of a corporate lawyer), a cabal
of minor goddesses led by the brothers’ own mother, and the sometimes
absurd coming-of-age and coming-to-terms of the youngest Johnson destined to become the great Odin, and you have a pretty good premise for one series at least. The quest
of the brothers to find Odin's elusive Frigg,
thereby assuming their full godly powers and leaving the world of men,
however, was a thread that ran throughout the three years, kicking into gear well
and truly in 2013.
I genuinely believe that if it wasn't for the daggishness, the frustration of family dynamics and male communication, and the adherence to a real-world low fantasy motif, I'd not have been a fan of TAJ at all. But how can you not be a fan of a series that posits wise god Baldr as a laconic stoned surfer, its god of poetry Bragi a pathological PR shill, or (best of all) its demigod Thor as a failed goat farmer from the Waikato with a hammer from Bunnings? Fantastic. And, conversely, not fantastic. Added to that is the genuinely smart plotting and scripting writing under Outrageous Fortune's chief scribe James Griffin, some brilliant twists and turns, and, that blessing in modern television, a satisfying series conclusion. The series 3 DVD is already available; hopefully we might see a box set with the entire series in it. Waes thu hael, Johnsons, you've been quietly Almighty - and good on you, mate.
I genuinely believe that if it wasn't for the daggishness, the frustration of family dynamics and male communication, and the adherence to a real-world low fantasy motif, I'd not have been a fan of TAJ at all. But how can you not be a fan of a series that posits wise god Baldr as a laconic stoned surfer, its god of poetry Bragi a pathological PR shill, or (best of all) its demigod Thor as a failed goat farmer from the Waikato with a hammer from Bunnings? Fantastic. And, conversely, not fantastic. Added to that is the genuinely smart plotting and scripting writing under Outrageous Fortune's chief scribe James Griffin, some brilliant twists and turns, and, that blessing in modern television, a satisfying series conclusion. The series 3 DVD is already available; hopefully we might see a box set with the entire series in it. Waes thu hael, Johnsons, you've been quietly Almighty - and good on you, mate.
Thursday, October 3, 2013
Doodle a Day: 3/10/2013
Time for another quick doodle post!
Not much to explain for today's effort: two robots fighting- or are they buses?
I'm a bit long in the tooth to be an 80s Transformers fan, though I do appreciate the aesthetic, and the idea - well executed - is a pretty cool one. I'm not pretending for an instant that this is well-executed; it is what it is, a quick knock-off scanned and coloured roughly in Photoshop. But that's it for now, and something you're probably not likely to see down the main streets of Wellington these days.
Not much to explain for today's effort: two robots fighting- or are they buses?
I'm a bit long in the tooth to be an 80s Transformers fan, though I do appreciate the aesthetic, and the idea - well executed - is a pretty cool one. I'm not pretending for an instant that this is well-executed; it is what it is, a quick knock-off scanned and coloured roughly in Photoshop. But that's it for now, and something you're probably not likely to see down the main streets of Wellington these days.
Wednesday, October 2, 2013
Doodle a Day: 2/10/2013
[In which your humble blogger draws one doodle a day and blogs it]
“Smokey is the Ghoooost!”
Here’s an early insight into the dreams I have. Don’t say you weren’t warned.
The above phrase is fifty per cent of what I recall of the dream I wrote down sometime in the early morning of the 1st
of November 2010, the other fifty per cent being pretty much the image below, of
a ghost werewolf emerging out of a
chimney stack.
My subconscious obviously thought it was worth my
rest-time conjuring up, but to this day I’m blown if I know what it all
means. There’s plenty more where that came from, trust me.
Tuesday, October 1, 2013
Doodle a Day: 1/10/2013
‘Doodle
a Day’ is a project I’ve promised myself for a few years now, and one
which I intend to employ to kickstart a period of concentrated
illustration work that (fingers crossed) will be coming up. I am an
itinerant illustrator, really.
Untrained outside high school, but an inveterate doodler, so I thought I
should try to combine the two and see what happens. The result will
hopefully be an illustration blog for the duration of this month, with
no set theme or style – I’m trusting that one
or both will develop as time passes.
Here’s how this will work – the rules, if you will:
1.
I draw a fifteen-minute doodle - one per day, on any
subject.
2.
I scan it and optimise it for public consumption - and no more
3.
I can colour it later if I want, but no more than that.
4.
I post it, with a brief explanation of its provenance.
Just to be sure I’d not be short of inspiration, some illustrations may be
based on an earlier form of this project, ‘Doodle a Dream’, which ought
to be self-explanatory. In 2010 I kept an irregular (in every sense)
‘dream diary’ – basically a bedside notebook on which to scrawl – sometimes literally, what I
could recall from any dreams I’d woken from. Being then a parent
of a young child with eccentric sleeping patterns helped the process,
but I fear some themes crept in, and so I’ll space
these out with more mundane subjects if I think things are getting a
little bit ‘trippy’. Maybe I’ll explain which ones are the dream-based
doodles, or maybe I won’t!
And so, here’s the doodle for today, the 1st of October 2013:
This is one of my favourite buildings in the Wellington CBD. I like it because it has some key points of interest: it’s a clock tower, it has a frieze on top of it and a cool spike that might be useful for tethering passing zeppelins to, and being an Art Deco-era sandstone building surrounded by a mix of modern and older buildings, it’s pretty unique in the Wellington skyline. Not that it makes much of an impression, as it’s steadily being dwarfed by the office buildings around it – hence me being able to look down on it almost from my work! The best bit about this building? The clock doesn’t work because the building’s upper floors house a hotel, and the very clock tower structure is an apartment, with the clock faces as its windows. Now that’s cool!
Subscribe to:
Posts (Atom)